Here’s another Mini Guitar Lesson by Mike Jones from Killer Guitar Tips.

Great guitar players do not just happen out of thin air. Great guitar players have practiced their art and practiced on a regular basis! But be WARNED… Many people practice the wrong things. They actually practice BAD habits. In order to progress you need to practice the right things. I know this sounds blatantly obvious but many, many people get this wrong. They practice things that they actually like which could be reinforcing their bad habits they have already acquired.

YOU’RE in the minority! CONGRATULATIONS!!!! You’re in the select 5% of people who will be practicing the CORRECT methods and techniques that will catapult your guitar playing into hyperspace.

So stay tuned…

Let’s get straight on with this mini guitar lesson…

We will start with a really cool chord progression that’s great to play pentatonic riffs over when you are jamming with a friend, it will make you sound like a great player with no effort whatsoever!

So here it is, it’s real easy… Play one bar of each chord A, G, D, and A. Now keep on playing these chords over and over while your friend makes up a solo using the Am pentatonic scale at the fifth fret!! It sounds great.

Why not swop parts and get your friend to play the chords while you solo over this sequence in Am. Just listen to yourself sounding like a top pro player!

Now now have a progression you know that will fit in at any jam night or venue. You will be able to get up with a friend and sound like a real pro guitarist. It just takes a little practice ideally with your friend.

Another great little progression that goes along with this nicely and is the backbone of many great songs is a 4 bar sequence that repeats itself over and over again and is commonly known as the ‘turnaround’.

Lets take a closer look at this so here goes:

Play the 1st bar G, the second is Em, the 3rd is C and the last is a bar of D.

Play the rhythm of 4 beats to a bar and repeat this turnaround to your hearts content.

Again this is a superb jam sequence. Why not get your friends to jam along to it in the key of G. You play the rhythm and they solo over the top then change around, you solo they play rhythm.

Oh, and dont forget that my full guitar audio/video program is loaded with lots of amazing chord sequences that will allow you to lay down great sounding rhythm guitar that will astound your friends and rock your audience.

Hi Mike here from Killer Guitar Tips.

I am now going to show you a couple of mini guitar lessons in this article that you really should know to help get your guitar soloing of to a great start and stop you from sounding shall we say mediocre!

OK, let’s get into it…

This weeks mini guitar lesson is on how to use the Pentatonic Pattern #1 scale for major and minor solo’s.

The first thing we need to understand is that every pentatonic pattern can be used for major and minor scales.

The following are known as relative major and minors. That is, pattern #1 at the fifth fret produces two keys, A minor (Am) and C major (C).

As we can see, this pattern can now be used for BOTH these keys, Am and C major. So, to get a real cool, bluesy rock sound we can simply play Am over a track writtem in A major!

Now here’s the really cool part…

Keeping with this pattern, move the whole pattern down the neck towards the tuning pegs by just 3 frets. Now, when we play this same pattern here we will now be playing in A major that produces a very melodic, tuneful soloing sound!!!

The next little trick continues the theme of moving pentatonic pattern 1 around the neck to create killer solos.

In the key of A, play pentatonic pattern #1 at the 5th fret (Am) you will create a great bluesy rock solo.

Now here is a great little tip… Move the whole shape up the guitar neck by 7 to Em and continue playing! This will produce a great melodic sound using exactly the same pattern but played at a different part of the neck, try it, it’s a mainstay in the guitarists bag of tricks.

If you make a place on your hard drive and create a folder for all the little mini guitar lessons I will be giving you over the coming weeks and practice them regularly you will build up an awesome bag of tricks that when put together in a solo will produce a killer sound. Your friends will be amazed at your skill!

All these mini guitar lessons i will be giving you are just a very small fraction of material contained in the Killer Guitar Tips home study course but even so are invaluable in your journey to be come a great player.

Mike Jones – The Author: Mike is a professionalfessional Guitar Tutor and has been playing and teaching guitar for over two decades. He has created a unique guitar tutoring professionalgram constructed using his very own amazing speed learning techniques to get the beginner through to great player in the shortest possible time. To find out more and receive some fantastic FREE tips and tricks why not go to his website at: Learn Guitar

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There are a great number of guitars out there, that’s for sure. Electric, Acoustic, bass, steel, classical and acoustic-electric just to mention a few. Then besides that there are a huge number of brand names for guitars. You have Fender, Yamaha, Gibson, BC Rich just to name a few. How does one go about deciding with all these guitars to choose from.

The style of music you’re going to want to play as well as the places you’ll be playing in will definitely have an impact on the choices you make. Let’s face it, if you’re going to be playing dances, or other such gatherings with lots of people, you will most likely need a guitar that can be amplified. That pretty much eliminates acoustic.

A common thought seems to be that acoustic guitars are best suited to country, jazz and that style of music. Electric guitars it is said are deemed to be best for rock, pop, the blues and so on. So if you want to go with this train of thought, the type of music you will be playing the most will also narrow down the field for you.

If you’re interested in playing steel guitar or a bass, then you have already narrowed the field down a lot. Now you simply need to choose between brand name and model. It has been said that learning to play a bass guitar or a steel guitar will take considerably more time and effort than learning to play either acoustic or electric.

The acoustic-electric is a unique guitar. It is unique in the sense that it allows you to play both electric or acoustic on the same guitar. The switch is as simple as plugging in or unplugging the patch chord. An acoustic-electric, just as the name sounds, is an acoustic guitar with a built-in electric pick-up. There are also a wide range of manufacturers, models and price range in acoustic-electric guitars.

If you have a preferred artist, and you want to simulate their sound, then that answers a lot of the questions for you on what type of guitar you should buy. It is pretty hard to simulate the sound of an electric on an acoustic. If this is the style of music and sound you are going to be looking for the majority of the time, then that is the type of guitar you should be looking for.

Most music shops though are pretty good about showing you the different guitars, and letting you see how they feel, and hear what they sound like. For beginners, unless you’re certain you want an electric guitar, the acoustic-electric makes an excellent beginner guitar.

Wendy Racklave writes for Playhouse MM which has details of inexpensive Ibanez bass guitars and affordable vintage bass guitar.

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When you think of rock music, heavy guitars and power chords you can almost picture the infamous Flying V guitar in your mind. Slung low over the shoulder of the lead guitarist with his head down, long hair moshing to the beat.

The Gibson Flying V is certainly one of the rock guitars that will go down in history as being one of the most unique designs ever. Originally built and launched by the guitar company back in 1958 and then relaunched in 1967, the mahogany bodied flying V took the world of rock by storm.

Although Gibson still make and sell the Flying V today under the name of the Tribal V (complete with tattoo patterns) it is the older and more famous models that are highly collectible. The older models, made in the 50′s are referred to as the V Factor, but the guitars made in the late 60′s are the most sought after.

The Flying V has been played by so many different people, all over the world that it is hard to pick any one person out to consider the ambassador of the model. Perhaps Jimi Hendrix who worked closely with Gibson to create his own Paisley Flying V signature model is a good example of the level of musicians that played the V.

If you were to go out and buy a brand new model today, the Tribal V would be the one to look for. Gibson have only manufactured this as a limited edition run of 350 units, so finding one may be difficult. Not impossible though if you check out good local shops and places like eBay. If you want the real deal, you will be looking for the older models from the late 1960s and early 1970s, when the V was at the height of its popularity.

The Gibson Tribal V is a newer, more up to date version of the older model with all new components and electronics. The modern, youth tribal tattoo markings and graphics make it stand out from the crowd too.

Even Ibanez was so taken with the guitar that they tried to release their own version too, but came up against the might of the Gibson lawyers and had to change their plans. In later years, other manufacturers were allowed to copy the design though and make their own versions.

The Flying V certainly has made its mark on the ethos and mythology of rock music and guitar based rock. Its image is immediately recognizable and the Gibson quality, design and perfection make the guitar one of the best rock guitars ever.